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《天龙八部》剧中，乔峰没有和谁在一起。乔峰一生中最爱的女生就是阿朱，顺理成章地与阿朱走到一块儿，可是最后却因为一些误会，乔峰失手打死了阿朱。之后就一直是阿朱的妹妹阿紫陪伴在乔峰的身边，但直到最后乔峰也没有和她在一起。

乔峰对阿朱的感情是非常深厚的，因为两人一块儿共同经历了生死。在所有的人都怀疑乔峰，不相信乔峰的时候，只有阿朱一个人相信他。而乔峰也因为救阿朱的性命而付出了非常大的代价。阿朱死后乔峰一直非常的愧疚，因此担负起了照顾阿紫的责任，因为阿紫是阿朱唯一的妹妹。

在长时间的相处之下，阿紫对乔峰的感情已经慢慢的产生了变化，从对姐夫的依靠变成了对姐夫的爱恋，最后甚至因为自己的这点爱恋，害死了自己的姐夫乔峰。他因为得到嘲讽给乔峰喝下了圣水，孰不知圣水中已经被其他人下了毒，正是因为中了毒乔分，才被契丹王给抓住了。虽然最后在众位兄弟的努力之下把乔峰救了出来，可是乔峰因为民族大义，最后还是选择了自杀。

心中一直从有正义的乔峰接受不了契丹王的话。他劝服契丹王不再战斗，只不过是因为民众，而不是因为功名利禄。他自杀之后，阿紫也自挖双目，抱着他一同跳下了悬崖。由此可见，乔峰深深的爱着阿朱，而阿紫却深深的爱着乔峰。这样的结局多少还是有些可悲的。

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德拉克的回归

主演：拉多万·卢卡夫斯基古斯塔夫·瓦拉赫艾米丽娅·瓦萨约娃威廉·波洛尼 Jela Buckova Jozef Cierny Pavel Chrobak 米库拉斯·洛迪津斯凯 Ivan Macho Ján Mildner Andrej Mojzis Jan Pelech 卢多维特·赖特尔斯特凡·克维季克 Milan Mach
导演：爱德华·格莱纳
分类：剧情片
地区：其它
年份：1968
更新：05.04
简介：与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

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与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970). 《德拉克的回归》于1968年其它上映，由爱德华·格莱纳导演，拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦萨约娃,威廉·波洛尼,Jela,Buckova,Jozef,Cierny,Pavel,Chrobak,米库拉斯·洛迪津斯凯,Ivan,Macho,Ján,Mildner,Andrej,Mojzis,Jan,Pelech,卢多维特·赖特尔,斯特凡·克维季克,Milan,Mach等主演的一部剧情片！海鱼儿电影网提供《德拉克的回归》免费在线观看，《德拉克的回归》完整未删减版在线观看！海鱼儿电影网所有迅雷下载资源以及在线观看资源由云端程序自动抓取，如果你喜欢《德拉克的回归》最新一期，欢迎分《德拉克的回归》给你的好友，本片只做交流学习，请勿用于商业利益行为，请支持《德拉克的回归》正版影片！请下载观看后24小时内删除，感谢支持！

德拉克的回归

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